Salvador Dali
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Salvador Dali
Foc! Anther link to a thread from the old ATU site expired already.
The Dali Atomicus, photo by Philippe Halsman (1948), shown before its supporting wires were removed.
The Dali Atomicus, photo by Philippe Halsman (1948), shown before its supporting wires were removed.
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Re: Salvador Dali
The Philadelphia Museum of Art used a surreal entrance display including its steps, for the 2005 Salvador Dalí exhibition.
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Wild-eyed antics of Dalí (left) and fellow surrealist artist Man Ray in Paris on June 16, 1934, photographed by Carl Van Vechten.
Dalí in the 1960s wearing the flamboyant mustache style he popularized.
Dali in 1972.
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Original trailer for "Un Chien Andalou" by Luis Bunel and Salvador Dali. Hang on to your eyeballs.
Last edited by Strawberry Jam on Thu May 19, 2011 10:04 pm; edited 1 time in total (Reason for editing : Video embedding fixed)
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Dali on the popular panel quiz show "What's My Line?"
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The Persistence of Memory- Dali.
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Swans reflecting elephants.
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The Burning Giraffe.
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Sleep.
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Space Elephant.
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Lobster Telephone.
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Mae West Lips Sofa.
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Portrait of Laurence Olivier in the role of Richard III.
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Rinoceronte vestido con puntillas (1956).
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Gala in the window, 1933.
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Hommage a Newton, 1985.
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It is surprising Dalí, after all, was happy with Franquisim unlike most of artists, who exiled.
Card signed by Dalí and Lorca.
Dalí on Lorca's killing and the civil war:
"At the very outbreak of the revolution my great friend, the poet of la mala muerte, Federico García Lorca, died before a firing squad in Granada, occupied by the fascists.
This was ignoble, for they knew as well as I that Lorca was by essence the most a-political person on earth. Lorca did not die as a symbol of one or another political ideology. He died as the propitiatory victim of that total and integral phenomenon that was the revolutionary confusion in which the Civil War unfolded. For that matter, in the Civil War people killed one another not even for ideas, but for personal reasons, for reasons of personality; and like myself, Lorca had personality and to spare, and with it a better right than most Spaniards to be shot by Spaniards."
Card signed by Dalí and Lorca.
Dalí on Lorca's killing and the civil war:
"At the very outbreak of the revolution my great friend, the poet of la mala muerte, Federico García Lorca, died before a firing squad in Granada, occupied by the fascists.
This was ignoble, for they knew as well as I that Lorca was by essence the most a-political person on earth. Lorca did not die as a symbol of one or another political ideology. He died as the propitiatory victim of that total and integral phenomenon that was the revolutionary confusion in which the Civil War unfolded. For that matter, in the Civil War people killed one another not even for ideas, but for personal reasons, for reasons of personality; and like myself, Lorca had personality and to spare, and with it a better right than most Spaniards to be shot by Spaniards."
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I know Dalí was comfotable with Franco's regime but I never heard he supported it to that extreme
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Wiki:
"In The Secret Life (Dalí's autobiography), Dalí suggested that he had split with Buñuel because the latter was a Communist and an atheist. Buñuel was fired (or resigned) from MOMA, supposedly after Cardinal Spellman of New York went to see Iris Barry, head of the film department at MOMA. Buñuel then went back to Hollywood where he worked in the dubbing department of Warner Bros. from 1942 to 1946. In his 1982 autobiography Mon Dernier soupir (English translation My Last Sigh published 1983), Buñuel wrote that, over the years, he rejected Dalí's attempts at reconciliation."
At least this comes from Dalí's and Buñuel's autobiographies apparently.
"In The Secret Life (Dalí's autobiography), Dalí suggested that he had split with Buñuel because the latter was a Communist and an atheist. Buñuel was fired (or resigned) from MOMA, supposedly after Cardinal Spellman of New York went to see Iris Barry, head of the film department at MOMA. Buñuel then went back to Hollywood where he worked in the dubbing department of Warner Bros. from 1942 to 1946. In his 1982 autobiography Mon Dernier soupir (English translation My Last Sigh published 1983), Buñuel wrote that, over the years, he rejected Dalí's attempts at reconciliation."
At least this comes from Dalí's and Buñuel's autobiographies apparently.
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Re: Salvador Dali
Peter Duggan's Artoons – Salvador Dalí
In Peter Duggan's reimagining of art history, a young Dalí leaves his family shell-shocked on the beach after discovering his surrealist calling in the shape of a Lobster Telephone
guardian.co.uk, Wednesday 15 February 2012 11.20 GMT
In Peter Duggan's reimagining of art history, a young Dalí leaves his family shell-shocked on the beach after discovering his surrealist calling in the shape of a Lobster Telephone
guardian.co.uk, Wednesday 15 February 2012 11.20 GMT
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