Next film I might see

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Re: Next film I might see

Post  Yakima Canutt on Sat Apr 01, 2017 6:24 am


Yoshida Emily was talking about how, for all the liberties the new Ghost in the Shell takes with its source material, it’s more invested in that title, specifically the “ghost” soul of its cyborg protagonist, than any of its predecessors in the long-running Jafranchise. That’s not to say that it does anything dramatically interesting about that soul, or asks many challenging questions about what it’s like for a person to persist, divorced from their original body. But it is obsessed with idea that Major “Mira” (ScarJo) must unlock her true individuality to defeat the system, an extraordinarily American narrative shoddily grafted onto the original story like a black-market crab-claw arm. The body rejects it almost immediately.

If Paramount just wanted to do a female-led cyberpunk Bourne Identity, probably nobody would have minded. But to associate a straightforward “Who am I?” action film with a franchise as philosophically noodly as Ghost in the Shell is disingenuous and pointless — you deny existing fans the actual post-self substance of the thing they like, and you alienate newcomers with a weird title and the obligatory skeleton of an existing franchise, which, when it’s not being explored, comes off as needlessly complicated. Why does a newcomer to Ghost in the Shell care about Section 9, or the idea of cyberbrains, if it’s not integral to the questions the film is asking? Why is this a story about robotics? Why is this Ghost in the Shell?

The answer to the last question is unfortunately obvious: It’s a means of lifting set pieces and conceptual designs without getting accused of copyright infringement. Whereas American comic-book adaptations pepper their films with nods to obscure characters and comic-only plotlines to stoke the emotional memory of their core fan base, Ghost in the Shell winks at things and moments — enhanced keyboard fingers, invisible fight scenes, detachable eyes, an adorable Basset hound — all ripped from their original context and compiled in what amounts to a look book. This is telling: The filmmakers think little of the emotional and intellectual connection fans already have with this property, and have put all their chips on the aesthetic. It’s exhausting to watch them curate what parts of the story’s Japanese origin are worth keeping and which can be discarded.
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Re: Next film I might see

Post  Yakima Canutt on Sat Apr 01, 2017 6:25 am

Chuck Selfridge wrote:
Major “Mira” must unlock her true individuality to defeat the system


Sleep Sleep Sleep
Sleep Sleep Sleep
Sleep Sleep Sleep
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Re: Next film I might see

Post  pinhedz on Wed Apr 05, 2017 2:42 pm

Chuck Selfridge wrote:Major “Mira” must unlock her true individuality to defeat the system
Spoiler--I saw it and Chuck is incorrect. bounce
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Re: Next film I might see

Post  Yakima Canutt on Wed Apr 05, 2017 3:58 pm



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Re: Next film I might see

Post  Yakima Canutt on Wed Apr 05, 2017 4:03 pm



bounce
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Re: Next film I might see

Post  pinhedz on Wed Apr 05, 2017 11:38 pm

pinhedz wrote:
Chuck Selfridge wrote:Major “Mira” must unlock her true individuality to defeat the system
Spoiler--I saw it and Chuck is incorrect. bounce
The robocop redo is better because the cyborg has a nicer figure and doesn't move so klunky.

In some other respects the original was better, such as better emoting by Weller and humor by Verhoeven.

Some say the cartoon had deeper oriental existential philosophizing and political commentary, but the pinhed wouldn't know about that.
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Re: Next film I might see

Post  Yakima Canutt on Thu Apr 06, 2017 5:51 am


erm, I think we might have to go back a bit further to William Gibson, Rudy Rucker, and Philip K. Dick.

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Re: Next film I might see

Post  pinhedz on Sun Apr 23, 2017 6:57 am

OK, so what's the deal with "The Circle?"
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Re: Next film I might see

Post  Yakima Canutt on Sun Apr 23, 2017 11:46 am


Emma Watson takes a job at a powerful Internet corporation, quickly rises up the company's ranks, and soon finds herself in a perilous situation concerning privacy, surveillance and freedom. She comes to learn that her decisions and actions will determine the future of humanity.
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Re: Next film I might see

Post  pinhedz on Sun Apr 23, 2017 1:35 pm

It's like Google and Facebook with Borg implants? affraid
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Re: Next film I might see

Post  Yakima Canutt on Sun Apr 23, 2017 4:58 pm


The book follows the story of Mae Holland, a recent college graduate who lands a job at The Circle, a powerful technology company run by the so-called "Three Wise Men." Mae owes her job largely to her best friend and college roommate, Annie, one of the forty most influential people in the company. Mae starts out in Customer Experience (CE), the firm's customer service department, but quickly climbs the company ladder. From the beginning, Mae is impressed by amenities at the Circle, including access to top-notch technology, dorm-like housing, gyms and recreation activities and parties. Mae's very first day at the Circle ends with a party where she encounters Francis, who remains a love interest throughout the rest of the novel. Later, Mae encounters and quickly becomes romantically involved with a mysterious colleague named Kalden, even though she is unable to verify his status at the company, or even obtain his last name.

Meanwhile, the Circle continues to develop a range of sophisticated technologies, including SeeChange: light, portable cameras that can provide real-time video with minimal efforts. Eventually, SeeChange cameras are worn all day long by politicians wishing to be 'transparent', allowing the public to see what they are seeing at all times.

Another subplot is the diagnosis of Mae's father with multiple sclerosis, which eventually leads Mae to enroll her parents on her health care, which in turn drives them to install SeeChange cameras in their home. After a brief incident with her own legal issues, Mae ends up agreeing to wear a SeeChange device herself (called going transparent), representing her own growing role in the company, epitomized by a public talk in which she insists, "secrets are lies," "sharing is caring," and "privacy is theft." Mae's job now mainly consists of touring the campus and showing customers future products; any hints of her own doubts about privacy seem dropped, in contrast to her ex-boyfriend Mercer, who eventually insists on going "off the grid" to escape the increasingly far-reaching influence of the Circle and its technologies. Kalden calls Mae, warning her that The Circle must be stopped, but she refuses to listen ...
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